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Towards the 16th century, five poets emerged, though there are hundreds year gap in between them .But they're known as Panchasakhas as they believed to same school of thought, Utkaliya Vaishnavism.The poets are :Balaram Das,Jagannath Das,Achyutananada Das,Ananta Das and Jasobanta Das . The Panchasakhas are very much Vaishnavas by thought . In 1509 Chaitanya came to Orissa with his Vaishnava message of love. Before him Jaydev had prepared the ground by heralding the cult of Vaishnavism through his Geetagovinda.Chaitanya’s path of devotion was known as Raganuga Bhakti Marga, but the Panchasakhas differed from Chaitanyas and believed in Gyana Mishra Bhakti Marga, which has similarities with the Buddhist philosophy of Charya Literature stated above. At the end of age of Panchasakha, the prominent poets are Dinakrushna Das,Upendra Bhanja and Abhimanyu Samanta Simhar. Verbal jugglery, obscenity and eroticism as the characteristics of Shringara Kavyas, became the trend of this period to which Upendra Bhanja took a leading role.His creations were Baidehisha Bilasa,Koti Brahmanda Sundari,Lavanyabati were proved land mark in Oriya Literature.Upendra Bhanja was conferred with the title Kabi Samrat of Oriya literature for the aesthetic poetic sense and verbal jugglery proficiency.Dinakrushna Das’s Rasokallola and Abhimanyu samanta Simhara’s Bidagdha Chintamani are prominent kavyas of this time. The first Oriya printing typeset was cast in 1836 by the Christian missionaries which made a great revolutions in Oriya literature.Instead of palm leaf inscription . The books were being printed and the periodicals and journals were published. The first Oriya Magazine of 'Bodha Dayini' was published from Balasore in 1861. The main object of this magazine was to promote Oriya literature and to draw attention to the lapses in government policy. The first Oriya paper, 'The Utkal Deepika' made its appearance in 1866 under the editorship of late Gouri Sankar Ray with the help of late Bichitrananda. The publication of these papers during the last part of the 19th century encouraged the modern literature and acted as a media to provide a wide readers range for the writers, The educated intellectuals came in contact with the English Literature and got influenced.Radhanath Ray (1849-1908) is the prime figure, who tried to write his poems with the influence of Western Literature. He wrote Chandrabhaga,Nandikeshwari,Usha, Mahajatra,darbar and Chilika wee the long poems or Kavyas. Fakir Mohan Senapati (1843-1918), the prime figure of modern Oriya Fiction Prose is the product of that generation. He was considered the Vyasakabi or founder poet of Oriya language. Fakir Mohan Senapati is well known for his novel Chha Maana Atha Guntha .it is the first Indian novel to deal with the exploitations of landless peasants by the feudal Lord. It was written much before the October revolution of Russia or much before the emerging of Marxist ideas in India.
   With rise of freedom movement, a literary though was emerged with the influence of Gandhiji and idealistic trend of Nationalism formed as a new trend in Oriya Literature.Much respected personality of Orissan culture and history, Utkalmani Gopabandhu Dash (1877-1928) has founded a school at avillage Satyabadi near Sakshigopal of Orissa and an idealstic literary movement influenced the writers of this age . Godabarisha Mohapatra, Kuntala-Kumari Sabat the other renowned name of this age.
   With the emergence of soviet Russia in 1935, Communist party was formed in Orissa and a periodicals named "Adhunika" was published by the party.Bhagawati Charan Panigrahi and Sachidananda Routray were the founder member and writer/poets of the party.Bhagwati turned to a fiction writer and though Sachidananda Routray (who is more known as "Sachi Routra" or Sachi Babu) has written some of the short stories but was actually remembered for his poems. Influenced by the romantic thoughts of Rabindranath tagore, during the thirties when the progressive m Marxian movements was in full flow in Oriya Literature, Kalindi Charan panigrahi, the brother of Bhagabati Charan Panigrahi,the founder of Marxian Trend in Orissa, formed a group circa 1920 called "Sabuja Samiti." Mayadhar Mansingh was a renowned poet of that time though he was considered as a romantic poet, but he kept the distance away from the influence of rabindranath successfully. As the successor of Sachi babu, two poets Guruprasad Mohanty(popularly known as Guru Prasad ) (1924-2004) and Bhanuji rao came with T.S.Eliot and published their co authored poetry book "Nutan Kabita" Later, Ramakanta Rath modified the ideas . Sitakanta Mohapatra,soubhagya kumar mishra,Rajendra kihore Panda, Brajanath Rath, Jayanta Mahapatra, Kamalakant Lenka, J P Das, Brahmotri Mohanty, Mamata Dash, Amaresh Patnaik, Hrushikesh Mallick, Sunil Kumar Prusty, Sucheta Mishra, Aparna Mohanty, Pritidhara Samal, Basudev Sunani,Gajanan Mishra,,Bharat Majhi are some poets of this contemporary age. In the Post-Independence Era Oriya fiction assumed a new direction.The trend which Fakir Mohan has started actually developed more after 50’s of last century. Gopinath Mohanty(1914-1991,Surendra Mohanty and Manoj Das (1934- ) are considered as three jewels of this time. The other significant fiction writers are Chandrasekhar Rath, Shantanu Acharya,Mohapatra Nilamani Sahoo,Rabi Patnaik, Jagadish Mohanty,Kanheilal Das.Satya Mishra, Ramchandra Behera,Padmaja Pal, Yashodhara mishra and Sarojini Sahoo are few writers whose writings have created a new age in the field of fiction. After 1970, the women wing of Oriya writers emerged as a prime voice of feminism. Jayanti Ratha,Susmita Bagchi.Paramita Satpathy,Hiranmayee Mishra, Chirashree IndraSingh Supriya Panda, Gayatri Saraf, Mamata Chowdhry are few fiction writer in this period,But among all the women writers Sarojini Sahoo played a significant role for her feministic and sexuality approach in fiction.For feminism she's considered as the Simone de Beauvoirof India, though theoretically she denies the Hegelian theory of "Others" developed by Simone in her The Second Sex. Unlike to Simone, Sarojini claims the women are "Others" from masculine perspective but as a human being, she demands for similar right as Plato recommended. In the field of drama, the traditional Oriya theatre is the folk opera, or Jatra, which flourishes in the rural areas of Orissa. Modern theatre is no longer commercially viable. But in the 1960, experimental theatre made a mark through the works of Manoranjan Das, who pioneered the new theatre movement with his brand of experimentalism. Bijay Mishra,Biswajit Das,Kartik Rath, Ramesh Chandra PanigrahRatnakar Chaini, Ranjit Patnaik continued the tradition. As a whole, we can say, now days Oriya literature is a strong wing of Indian Literature to represent in world forum.

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